2026 Adjudicators
Duncan began playing at the age of 5 and started formal lessons, aged 7, under the instruction of Jimmy Cassidy. Peter Bruce then became Duncan’s tutor from 1974 until circa 1984.
He was successful in many of the major competitions at both junior and senior level and was crowned the All Scotland Senior Champion here in Perth in 1983 and 2021.
He has played accordion and piano with many bands over the years, which include Bill Black, Jim Johnstone, Ian Powrie, Jim Mcleod, Robert Black, Simon Howie to name but a few.
His music has taken him all over the world to places such as Nigeria, Greece, Gibraltar, Egypt, Israel, Korea, USA, Canada, and Spain.
Duncan has made many television and radio appearances for the BBC and is as enthusiastic about playing today as ever he has been.
Freeland Barbour comes from highland Perthshire and has for a long time been a central figure in Scottish music, as musician, composer, radio and record producer, teacher, studio manager/owner, publisher, and author.
A former BBC music producer, he was a founder tutor on the BA degree course in Scottish traditional music at the Royal Conservatoire of Scotland, and has twice been inducted into the Scottish Traditional Music Hall of Fame, as well as being honoured by the National Association of Accordion and Fiddle Clubs.
He was manager and owner of one of the UK’s leading recording studios, Castlesound in East Lothian, and a two-volume collection of his compositions and his life in music, ‘The Music and the Land’, was published in 2015.
His recordings have long been best-sellers in their field and his latest book, ‘The White Rose of Gask’, is a biography of the Scottish songwriter Carolina Oliphant, Lady Nairne.
Paul grew up in a musical family and began learning the accordion at the age of ten. He went on to become one of the first classical accordionists to graduate from the Royal Conservatoire of Scotland. Studying under renowned accordionist Djordje Gajic, he completed a Master of Music (Performance) with Distinction and was awarded the prestigious Governors’ Recital Prize for Keyboard.
To Follow
Described as a “Wonderful, high octane fiddle player and composer”, Charlie Mckerron has now clocked up 40 years on the road as a professional musician.
From winning the Daily Record Golden Fiddle award in the early 80’s Charlie went on to join Gaelic super group Capercaillie in 1985 achieving over 1 million album sales to date as the band goes beyond it’s 41st year.
In 2005 Charlie won Composer of the year in the Scots trad music awards and from pub sessions to festivals his compositions are widely performed and recorded.
Charlie has written music for film and documentary and contributed to the sound track for Hollywood Blockbuster “Rob Roy”, received 2 Royal Television Society awards for co-writing the music for 6 part BBC2 Scotland drama series Gruth is Uachdar (Crowdie and Cream).
To Follow
Margaret Robertson is an inspirational figure on the Shetland music scene as a fiddler, pianist, teacher and composer. She has also made an impact nationally and internationally with her own music and musicianship as well as in her capacity as organiser of the fiddle element in the Edinburgh Military Tattoo’s Pipers Trail, which has visited Australia, New Zealand, Germany and Norway.
Margaret grew up in Yell in a house where an evening without music, live or recorded, was a rare occurrence. Her dad, Lell, played fiddle and listened keenly to Irish fiddle master Sean McGuire and Ian Powrie’s Scottish Dance Band, two of Margaret’s own early influences.
Watching young players develop is, she says, a real joy and she particularly enjoys going to concerts given by former pupils. Among these are her sons, Ross and Ryan Couper, both now professional musicians who followed Margaret in winning the Shetland Young Fiddler of the Year title, Ryan winning twenty-five years after his mother before going on to play guitar.
As a composer Margaret is a self-confessed late starter, who was so annoyed that she couldn’t get into Lerwick to join Simon Thoumire in a session he’d put the word out about that she sat down and wrote her first tune at the age of twenty-eight. Many others have followed, some to order, some hummed or whistled while driving, and have featured on Margaret’s own two albums, and on her extensive discography.